This article contains spoilers for 9-1-1 season 8, episode 13, "Invisible"
But the secret to the success of this episode, titled "Invisible", has to do with the guest star at its center. The 118 repeatedly rescue a man who is decidedly down on his luck, getting into the absurd emergencies that make up this show's bread and butter. It's funny until it isn't, and then it works its way up to being hilarious. It's a reminder that 9-1-1 is quite skillful at switching between different tones when it wants to.
Archie Is Out Of Luck
His Situation Goes From Bad To Worse
"Invisible" begins the episode with Archie, the episode's main guest character. Timid and unassuming, Archie is getting fired from his job at a fast-food chicken restaurant. Though he begs for his job, explaining that he has a fiancée, as well as a cousin he needs to help, he's told he's too forgettable and therefore expendable. It could have been worse. Archie was supposed to be fired over the holidays, except that he was so forgettable that he slipped through the cracks.
"Invisible" is directed by Brenna Malloy.
The opening scene is effective, establishing that Archie is not someone who likes speaking up for himself, even in the most extreme circumstances. Once he's rescued, Archie is reluctant to go to the hospital because he feels like he'll be a bother. More than anything else, though, by having an essentially recurring emergency that escalates throughout the episode, 9-1-1 ties Hen to Archie in a way that makes for a very satisfying payoff.
Hen Is The Only One Excited About Her Birthday
It's Kind Of Funny
Hen is gassed up by Athena, who is so confident that a mother wouldn't forget her daughter's birthday, though Antonia Wilson says that it must have been a butt-dial.
It is a very amusing scene. Hen is gassed up by Athena, who is so confident that a mother wouldn't forget her daughter's birthday, though Antonia Wilson (Marsha Warfield) says that it must have been a butt-dial. She adds that she was planning to call her daughter later. Hen's face lights up and then falls quickly when Antonia asks to borrow her car. It's some great phone acting from Hinds and Warfield.
Hen's mood lifts, temporarily, when she arrives at work to find that Buck, Bobby (Peter Krause), and Ravi (Anirudh Pisharody) are ready to celebrate Hen Day. That, of course, refers to the high-efficiency nozzles that the 118 received. Henrietta's face falls once again when Howard (Kenneth Choi) tells her to get excited, but she seems to be taking it in stride.
Hen tells him, rightly, that he is the one that's making himself small and reminds him that he can stand up for himself. It's sound advice, though Hen might be mostly projecting. During her rant, she accidentally lets slip that the 118 forgot that it's her birthday. Archie wishes her a happy day. Bobby, Howard, and Buck are especially mortified.
Hinds does a perfect balance of sincere and comedic as she tells Archie to “take up space” before snapping and blurting out that she's actually talking about the fact that her friends and family forgot her birthday. That escalates when Hen returns home, delivering the episode's best scene. Having been informed of the birthday blunder by Howard, Karen is all apologetic. The schedule has been packed, she says, and she might have deleted the reminder from her calendar.
Whether it's heists gone wrong or false treasure haunts, 9-1-1 works better when more characters are interacting meaningfully rather than being cornered off in their own separate vortexes.
There is some top-tier delivery from Hinds on a few lines, like when Hen says of Chimney: “He usually goes whimsical when he knows he’s done wrong.” It's also great when she admits that “I’m yelling at people while holding a balloon bouquet; of course I know it’s silly.” The silliness continues when Hen wants to storm out of the living room, except she can't because the balloons are too big to fit through the door.
What works best for me is that this is a storyline that involves nearly all the main cast. It even comes up, played well, during a conversation between Buck and Eddie. Whether it's heists gone wrong or false treasure haunts, 9-1-1 works better when more characters are interacting meaningfully rather than being cornered off in their own separate vortexes.
Eddie & Chris Have A Much-Needed Heart-To-Heart
Eddie's Protective Instincts Take Over
Over on Eddie's side of the story, he's feeling nervous because he's prepping the first family dinner with Chris, Helena (Paula Marshall), and Ramon (George DelHoyo). As he tells Buck in a video call, he's less concerned with impressing his parents than he is about Christopher moving back in with him. He hasn't asked Chris to come stay with him, even though his house is now fixed up, because he's hoping the request comes from Chris himself.
It echoes Eddie's comments in the 9-1-1 season 7 finale, when he tells Buck that he wants Chris to open his door rather than breaking it down by force. Maybe because of being a young father, maybe as a reaction to how he was raised, Eddie doesn't want to be a stern and overbearing parent. Unfortunately, his approach doesn't work out. Chris is participating in a regional chess tournament on the same weekend that Eddie wants to invite his son out to a basketball game. Even though Chris doesn't seem excited about participating, and even though Helena clearly didn't mention it, Eddie doesn't want to make a big fuss, so he backs down.
"Invisible" taps into the feeling of a person making themselves small for a parent, avoiding a binder of sensitive subjects and letting a litany of hurtful comments go for the sake of maintaining the peace and not upsetting someone that, despite everything, means the world.
"Invisible" taps into the feeling of a person making themselves small for a parent, avoiding a binder of sensitive subjects and letting a litany of hurtful comments go for the sake of maintaining the peace and not upsetting someone who, despite everything, means the world. That's exactly what Eddie is doing, and it's exactly what Helena exploits. She tactfully guilts her son into not attending Christopher's chess tourney, saying that he'd be taking Ramon's seat on the bus that transfers participants to the tournament. Eddie agrees, telling himself that there will be other tournaments.
Buck and Eddie have another video call. In a perfect exchange, Eddie reveals that he remembered Hen's birthday because they're friends on Facebook. “How old are you?!” Buck mocks in response. All the same, Eddie has other things on his mind. Buck encourages him to attend the tournament, even if he has to take his own car, and Howard reluctantly agrees with Buck's assessment that Eddie should “dad up.”
Eddie helps Christopher clean up in the restroom. That's when Chris admits that he hates chess and that he's been mostly doing it for the sake of his grandparents, particularly because of Ramon's love of the game. The confession and Chris' fear of disappointing his grandparents set the stage for a conversation we've been asking for since the beginning of season 8, summed up in the exchange below:
Eddie: “You’re moving back in with me, whether you like it or not. Because you’re my kid.”
Chris: “You’ll be my dad again?”
Eddie: “I’ve always been your dad. Now I’ll start acting like it.”
Eddie, Hen & Archie Learn To Stop Being Invisible
Their Results Vary Pretty Wildly
I don't think the conversation between Eddie and Chris, as sweet as it is and as well-acted by McHugh and Guzman, absolves some of the missteps in the storyline. 9-1-1 season 8, episode 12, "Disconnected" still feels more about Eddie's identity as a firefighter and Chris as a secondary thought. The time jump also erases Chris' process of forgiving his father and understanding him better.
For the time being, and for the first time, it feels like Christopher's absence was genuinely worthwhile.
When he finally gets to that point, it's because he sees that Chris is being pushed into chess just like Eddie was pushed into ballroom dancing by Helena and Ramon. It's an elegantly compact confrontation when Eddie drops by, not bothering to hear a word that Helena has to say as he packs up Christopher's things. He loves her, despite her prodding and passive-aggressive scolding, but he won't let those things impact Chris. As long as the focus remains on Texas, I don't expect that this disagreement is fully over. For the time being, and for the first time, it feels like Christopher's absence was genuinely worthwhile.
Archie's solution is bloodier. After losing his car while he's sleeping in it, and after his modest belongings are scattered by passersby who didn't notice him, Archie snaps. Armed with a knife, the unlucky guest character follows the passersby onto a bus. 9-1-1 does a slight Speed homage after ABC's The Rookie did one of its own. Maddie (Jennifer Love Hewitt) takes the distress call and gets the 118 the information.
He almost gets his head shot off when police think he's reaching into his pocket for a weapon. It's actually just a keychain from the fast food joint where he used to work. He wants to give it to Hen for her birthday. She's not exactly deeply moved by the gift, watching Archie get hauled away by Athena in handcuffs.
It's a swerve that doubles as a big sigh of relief, keeping the vibe generally light for an episode that functions as a sequel to the season 2 flashback-focused "Hen Begins." There, too, Hen needed time to figure out when to use her voice and how. Her actions have earned her adulation from the press and a fancy dinner fixed up by Bobby and shared with Karen and Athena.
In the end, Hen says, it just might be her best birthday ever. It doesn't hurt that a guilt-ridden Buck is hanging around, ready and willing to do Hen's household chores until he's forgiven. He is forgiven, it should be said, but Hen isn't going to volunteer that information and turn down free help. It's one last punchline that's just right and true to character, punctuating an exceptionally breezy 9-1-1 episode.